SARANGI
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Sarangi
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Sound
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One of the most impressive
timbres of Indian instruments is produced by the Sarangi.
With its unique keen, slightly nasal, melancholic sound
it has been a less important melody instrument for a
long time which was used mainly for singing and dancing
performances. Only in the previous century has the Sarangi
also gained recognition as a solo instrument in the
field of classical music. Sadly, inspite of this, the
Sarangi is one the instruments that are threatened with
extinction. The popular harmonium has almost completely
replaced the Sarangi as accompanying instrument because
the harmonium is much easier to play. Unfortunately,
however, the harmonium is not capable of expressing
the wonderful variety of sounds that are produced by
the sliding note movements on the Sarangi. Nowadays,
families who have dedicated themselves to Sarangi playing
for generations have become very rare.
Similar
to the Esraj and the Dilrupa, the Sarangi has a continuous
wooden body which is covered by goat leather as a resonance
cover. Above a horn fret which is fixed onto the leather
cover, there are three thick gut strings. The instrument
does neither have a fingerboard nor frets. The strings
are pressed down with the sides of the beds of the nails
of index, middle and ring finger of the left hand. A
relatively short bow sets the gut strings swinging.
The resounding 35 steel resonance strings produce an
echo effect that is typical for this instrument.
The
art of building Sarangis nowadays produces hardly any
oustanding instruments. For this reason Tarang offers
mainly standard Sarangis from Lucknow whose quality
differs positively from the rest. A further Sarangi
on offer is an antique instrument from the first half
of the 20th century. It is, not least because of the
elaborate Mogul painting, a very special rarity, but
it is in need of restoration.
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TARANG
offers on principle only high-qualtiy musical instruments.
This is made possible by close personal contact to the
suppliers and a strict selection of the instruments
that are included in our range of goods. We do not offer
any instruments which reach the west from unknown sources
via importers and which are often resold by middlemen
without any quality check and setting of the instrument.
The demand from the west is relatively high in India.
The purchase prices are negotiated to the lowest limit
by the western countries, especially for high ordered
quantities. This has effects on the required care and
circumspection in craftsmanship, on the experience and
mentality of the commissioned manufacturer and the use
of parts of the instruments that are often of a poor
qualtity. Irrespective of the qualification of the skill
in craftsmanship, this leads, in some cases, to results
that do not deserve the name instrument. Thus it is
easily comprehensible that it is essential, when bying
an Indian instrument, to know the sources. TARANG only
supplies instruments from indisputable sources. All
instruments are delivered adjusted and ready to be played.
Of course, we understand that somebody who purchases
an instrument is also dependent on accessories and spare
parts. Also in this respect we can satisfy the needs
of our customers. Should an instrument be defective
at any time, we can arrange for appropriate restoration.
As a rule we can deliver any instrument offered on our
website within 1 - 2 weeks. Our international lists
of teachers enable everybody to find information about
a teacher in their proximity. You can expect from us:
reasonable prices, prompt service and straightforward
processing of purchase and delivery.
The
financial aspect also has to be mentioned. Despite the
high quality we offer, we also do our best to offer
you these instruments at very competitive and reasonable
prices.